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EszterCsepeli
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MOMMY BLUE (Feature) | Bernadette Mayer | 2025 HUN.
QUARTER (Feature) | Kelsey Bascom, Arnon Manor | 2025 USA.
OUR BLOSSOM (Feature) | Dora Szucs | 2023 HUN, VIETNAM.
MILLION DOLLAR SPY | Hagen Bogdanski | 2nd UNIT & VFX unit DP | 2025 ORPHAN | László Nemes | additional cinematography, VFX unit DP | 2025

Altitude Awards Winner 1st Prize
Cannes Short film Palm d’Or nomination
Manaki Brothers’ Small Golden Camera 300 nomination
Golden Eye Award Best Cinematography

Personal Details

Los Angeles, Budapest

United States
English, Hungarian

Commercial:

[email protected]

Work Details

 
Non-member

HCA, ICFC

Cinematographer

Eszter is a Palme d'Or–nominated cinematographer whose work spans high-end series like Tom Clancy’s Jack Ryan (Amazon Prime), Errol Morris’s The Pigeon Tunnel (Apple TV), and campaigns for global brands such as Nike and Levi’s. But beyond the credits, what sets Eszter apart is her clarity of vision, deep visual intuition, and the generosity she brings to every collaboration.

She was a Fulbright Scholar and, for over 15 years, the only Hungarian woman to shoot a narrative feature — a quiet but powerful milestone. She is also one of the founding members of the Hungarian Cinematographers' Association (HCA), where she is proud to be one of the founding members of the Mentorship Program for Female Cinematographers. Eszter is also a recipient of the ZEISS + WIM Altitude Award and an ASC Vision Mentee for 2022/23 — recognitions that reflect not only her technical excellence but her ongoing commitment to storytelling that matters.

Working with Eszter means stepping into a creative space that’s both bold and deeply human, and you feel it from the very first conversation.

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